Script is quite moving and does not have repetitive slogan or band wagon of patriotic The invasion of this fort, but have missed the adequate impact, however the The makers have tried to put few logical elements that may have influenced The fort of Saragarhi with strength of about 10000-12000 men.Įlements to connect the audience to the human and emotional side of these Sikh To fight to the last to prevent the Afghani Afridi/Orakazi tribe that attacked This battle is a tale of 21 Sikh Soldier’s willing decision It look like gore and yet give the audience the exact virtual experience of theīrutality suffered by the 21 brave soldiers of the 36 Sikh Regiment of theīritish Army in India. Scenes that engross your brain to the intensity of ignorance to the gore, howeverĪccording to me Director Anurag Singh manages to balance this aspect to not let Transcend heroism making fictional super heroes look like play toys. Your body to sweat in the Air conditioning.
That being said is not the only part of the movie that compels However, the resurrection of the Hand combat battle is a time travel experience
Patriotism in films is at itsĬontent that can intensify emotions, sour heartbeats and waterworks at the end. The lost stories of our History that rust in dustĪre now screaming of its well-deserved glory. Like flowing water he is flowing as well. He is the soul of the movie and his acting is effortless Gulshan Devaiah is every rupee’s worth to watch. The two Characters (Jimmy and Karate Mani) played by Is excellent with his short jibes and comic timing. Mahesh Manjrekar as Surya’s Grandfather (Azuba) Coming from the Tele world she is surprisingly the actor we all call an all-rounder. Not a single blow or punch is out of place and has preformedĪll her stunts on her own. Radhika Madan who plays his childhood friend Supri is impressive with The debutant Abhimanyu Dassani who plays Surya jiskoĭard nahi hota, doesn’t look like a debutant. All action sequences are great and flawless. Mard ko dard nahin hota is very well made artistically and is extremelyĮntertaining. Synchronized seamlessly in every screenplay. The hilarious bits aren’t over the top and The editing, screen play and direction especially Physical pain would not actually escape to experience pain in his life. Subtle and fine humor through out Mard koĭard nahi hota to narrate his version of a person if was not to feel the Mouni Roy who plays the Indian diplomat in Kashmir is unwantedĪnd is rather a hurdle to the ongoing story line that R.A.W should have adopted. Right and his serious eye glare looks like he is putting the fear of god on to Sikander’s Pakistani Urdu hindi dialect is bang on Kher playing (Col Khudabaksh Khan) who is part of ISI and is on to Romeo suspecting Many dialogues to deliver and is not able to ignite the pleasure of watching a Jackie Shroff is the only delight to watch. Movie is simple, it is made too long to try our patience. Most of the time R.A.W seems to be mirroring Razi except for the gender of the lead. The training of the spy and its script reminds Jhon Abraham (Romeo) to be placed as spy in Pakistan occupied Kashmir to gain intelligenceįrom Pakistan about their strategies before a war could erupt between the nationsįor the freedom of Bangladesh. He is the one that plans, plots to recruit Who plays (Shrikant Rai) the head of R.A.W the intelligence agency of India. Are two actors that provide a realistic and believable shade to R.A.W.